Ulysses’ dream: the oneiric vision in Calderón’s El mayor encanto, amor

Authors

  • Ariel Núñez Sepúlveda Universidad de Navarra

Abstract

The paper examines the meaning and function of the dream-vision dramatic device in the first mythological theater play by Calderón, El mayor encanto, amor (1635), trough out the study of the presence of dreams in the author’s dramaturgy and the analysis of some decisive passages of the play.

Keywords:

Calderón de la Barca, baroque court theater, mythological theater plays, dreams