The present work seeks to problematize the link between the dancing body and the technique, understood as the normative that guides the movements, given the general problem of expression. From the proposals developed by Maurice Merleau-Ponty in The visible and the invisible and Jean-Luc Nancy in Corpus, it is intended to analyze the relationship of the body with its spatial environment with the purpose of affirming a body that exceeds the body-thing and thus to make criticism of the idea of an enhance or 'technical improvement' of the body in its dancing execution.
Morales Guzmán, P. (2021). The problem of a technical improvement in a dancing body. Resonancias. Revista De Filosofía, (10), 27–39. https://doi.org/10.5354/0719-790X.2021.60941